Penn State Cooperative Extension

Quality Standards in Clothing Construction


An essential task in comparison shopping for ready-to-wear or for evaluating home sewn garments is to recognize and identify standards that give a garment a finished, professional look. Many techniques can produce the same result. Either conventional sewing or serging may be used for many construction processes. The technique used should be compatible with the garment style, the fabric, the sewing equipment available, and the individual's skill (for home-sewn garments).

In an objective evaluation, it is essential to play down personal preferences and to build upon identified and accepted standards. The standards outlined in this publication refer to basic styles of garments. Fashion innovations continually change fit and technique. An objective evaluation should include recognition of the intentions of the designer for the style.

Some standards apply to almost all construction techniques. A technique should result in a detail, finish, or area that is:

Specific standards that can be expected in good construction of home-sewn garments and of ready-to-wear garments are listed in the remainder of this publication. They are organized by techniques and/or areas, and are presented in alphabetical order.

Appearance, Overall

Belts

Button

Buttonholes

Bound Buttonholes

Machine or Hand-Worked Buttonholes

Casings

Collars

Cuffs

Darts

Facings

Fitting

Fitting molds flat cloth pieces to the body and allows the garment to be comfortable and attractive. Good fit is based on five factors:

  1. Grain or yarn direction (relationship of yarns in the fabric to hang of garment on the body).
    • Lengthwise grain is perpendicular to the floor
    • Crosswise grain is parallel to the floor
    • Grain on right side of garment matches that on left side of garment
  2. Line (silhouette and seamlines of garment)
    • Silhouette lines on garment follow silhouette lines on the body
      • Vertical seams fall perpendicular to the floor
      • Vertical side seams divide body in half visually
    • Circumference lines follow body circumference at neckline, waistline, armhole
    • Darts point toward and stop short of fullest part of the area they shape
    • Hem is parallel to the floor
  3. Ease (looseness or tightness of garment)
    • Adequate ease for comfort
    • Correct amount of ease for smoothness
      • Neither too loose nor too tight
      • Free of wrinkles that pull and draw indicating too little ease
      • Free of wrinkles that lie in folds indicating too much ease
  4. Balance (hangs equal distance from the body)
    • Design features and fitting factors are equal
      • From right to left
      • From top to bottom
      • From front to back
  5. Overall Smoothness (freedom from wrinkles)
    • Smooth on the body
    • Free from wrinkles
    • Enhances appearance of wearer
    • Good design on wearer
      • Line
      • Color
      • Texture

Fitting Set-In Sleeves

  1. Grain or yarn direction
    • Crosswise grain or yarn direction parallel to floor above the elbow
    • Lengthwise grain or yarn direction perpendicular to the floor above the elbow
  2. Line
    • Sleeve cap rests at end of shoulder
    • Curve of armhole is smooth and gradual
  3. Ease
    • Sleeve has adequate room for upper arm
    • Sleeve is smooth and free from wrinkles (diagonal wrinkles pointing to the cap indicate additional length needed in the cap; crosswise folds at the underarm indicate additional width needed in sleeve)
    • Length adequate for style and individual
  4. Balance
    • Short sleeve is balanced on the arm
      • Hangs neither forward nor back
      • Doesn't hug the arm
    • Ease at cap seamline is smooth and even
      • Not puffy or puckered
      • Fullness is even front and back
  5. Overall smoothness
    • Sleeve is eased into garment, not the garment eased onto the sleeve

Fusing

Gathers

Hems

Hooks and Eyes, Snaps, Other Fasteners

Interfacing

Lapels

Lining

Needlework, Decorative

General standards to consider when used as decoration on a garment:

Plackets

Pleats, Tucks

Pockets

Patch Pocket

In-Seam Pocket

Welt Pocket-Single Welt, Double Welt (bound), Flap

Pressing

Seams

Sleeves

Understitching

Waistbands

Waistline Seams

Zippers

By Dorothy A. Ettl, Extension Clothing and Textiles Specialist, Washington State University, with assistance from extension clothing specialists of Oregon State University and the University of Idaho.


Contact for questions

to Jan Scholl's home page

 

Updated 7/19/05